『삼국유사』의 신화적 독서를 통한 종교의 신화성 구축과 소설적 변용의 기호화 과정에 대한 연구 - 김동리 소설 <원왕생가>와 <수로부인>을 중심으로 -

A Study about the semiosis of a novelistic formation and religious mythical building through the mythical reading of Samgukyusa

- Focusing on KimDongRi's Wonwangsangga and Surobuin

Pyo, Jung-ok

This article has the aim to focus on the imaginary beginning point of reading Samgukyusa. Particurely, this article is to study about the semiosis of a novelistic formation and religious mythical building through the mythical reading of Samgukyusa, focusing on KimDongRi's Wonwangsangga and Surobuin. There are three points to research into the KimDongRi's historical novels based on the Samgukyusa. The first, this article finds the related writing courses between the objective history and the subjective stories. In this course, a mythical imgination worked as the mediator of history and novel. The Writer was interested in the imginary beginning point and he also experienced the mythical world. The second, the open space between the history and the novel was filled with religionism and femininity. To KimDongRi, woman is a removed being from desire and love. His femininity included the religionism. The third, the writer made use of the symbols from Samgukyusa. For example, pipe, dream, moon, and flowers are the major mythical symbols. Through a mythical reading method of Samgukyusa, KimDongRi created modern symbols. As a result, KimDongRi succeeded in giving the mythicality in his historical novels with using adequate symbols.

에코, 스칼비니, 젱크스의 비교를 통한 건축기호모델 연구

보들레르의 미술비평과 시학-예술의 역사적 모더니티와 형식